It chronicles a few hours in the life of a family living on the southern coast of Buenos Aires. After breakfast, a father (Guillermo Arengo) heads off with his son (Agustín Alcoba) to a desolate beach for the day, while his wife (Roxana Berco) visits her seriously ill mother (Susana Campos) in a remote, wooded area.

Ema finds out she is pregnant with an unplanned child she's not sure she wants to keep, the same week her beloved grandmother becomes gravely ill. Spending her last days at her grandmother's side, Ema is forced to spend time with her estranged, larger than life mother, getting to know her and seeing her with new eyes. As she spends time with the people gathered around her grandmother in her last days; Ema re-evaluates her beliefs, her fears and her set ideas about family, love and parenthood.

Four young friends have parked an old rented RV next to the road. Someone is aiming at them with a rifle. When the sniper fires, everything is tinged with blood. Their holidays turn into a macabre nightmare full of horror, sex and death.

Yoli always lived with her mother in a humble neighborhood in Havana. Until one day, a boy invites him to leave and Yoli decides to wait for him, trying to change his routine, even if it is for a day.

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Thomas is a meek man on the verge of a nervous breakdown. Despite his situation he decides to fake a work trip to go to Vallarta to confront Jero, a taxi driver who is sleeping with his wife.

After learning an irreversible truth, Camila, Teté and Margo must abandon their busy lives to come up with a plan to end their mother Rosalinda's life.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.